As a Puppet Painter I had to paint high detailed miniatures of human faces, mouths, hands, feet, cores, etc.
On the other hand I had to distress and age creatures fur, interior mouths, paws, teeth, noses, ears and every props in the film among many other animals in miniature.
It was very challenging to be part of such a great team because Frankenweenie was my first Stop Motion Film.
Working with Andy Gent (HOD) is always a very special experience. He always try to create an amazing atmosphere at the workshop.
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