As a Puppet Painter I had to paint high detailed miniatures of human faces, mouths, hands, feet, cores, etc.

On the other hand I had to distress and age creatures fur, interior mouths, paws, teeth, noses, ears and every props in the film among many other animals in miniature.

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It was very challenging to be part of such a great team because Frankenweenie was my first Stop Motion Film.

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Working with Andy Gent (HOD) is always a very special experience. He always try to create an amazing atmosphere at the workshop.

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